Have you ever been drawn to someone or something or somewhere and not understand why? It happens a lot with me - I’ll have an immediate reaction to learning something new (people, places, things) and understand that I need to experience that in my life. One of these places is The National Museum of African American History and Culture in DC. Since the doors opened, I have wanted to visit.
I took a day trip to see some friends in Ain’t Too Proud at the Kennedy Center, and was so excited that I booked my matinee theatre ticket and train travel without checking the museum hours. Upon arrival in DC, I learned that the museum closed at 5pm - about the time the curtain came down on the show and I saw the people I came to town to see. The disappointment was big, and so I walked with that disappointment from the Kennedy Center to the Lincoln Memorial, then down the Mall to the Washington Monument and past the museum back to Union Station. It was a long walk (a little more than 3 1/2 miles), but I had time to kill and it felt like an appropriate ‘punishment’ for not thinking ahead.
Flash forward to the top of this year when my brother was in DC choreographing a production of Spring Awakening, and I joined him for his opening night. This was my chance! We coordinated so that I could get done the work I needed to, and have time for a quick visit to the museum. We only ended up with about 2 1/2 hours inside the space, and I had been told you can spend days and still not see everything. But I needed a taste, and that’s what we got.
The journey begins as you descend underground to explore the history of racism in America, beginning with transatlantic travel in 1400. And as history moves towards slavery and trauma, so we see the effects on our country, and brothers and sisters. That trauma is something that I felt on a pretty visceral level, and so it was with much gratitude that I spent some time in the reflecting pool to allow myself an energetic cleanse after merely skimming the surface of that portion of the museum.
We continued up to the top floor which houses the cultural impact of African Americans. This level focused on the arts - visual, musical, film, television, food, clothing, and the stage. And that’s where I found what I later realized was MY WORK.
In 2014 I was hired as a press assistant to work on the second Broadway revival of A Raisin in the Sun starring Denzel Washington, and directed by Kenny Leon. That production was a major growth experience for me, and one that I both struggled with and loved. It was a leveling up that I couldn’t see at the time. And I am so grateful for that experience because it brought me lifelong friendship, that incredible learning experience, and a tiny place in history.
No one thinks about whose job it is to build a Playbill. You go to a Broadway show and the usher hands you a booklet with the information about who’s involved, any musical numbers or scenes, the company’s bios, the staff listing, thank yous. Have you ever thought about who compiled that? It was the junior-most press agent on the team (this is because it is a rite of passage. There is no hell like a Playbill build hell).
Upon recounting our visit to the top level of the museum and explaining that my dear friend was represented in three different ways (!!!), including the Playbill of that production of Raisin, I had the PROFOUND realization that my work was included in that museum! (!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!) I built the Playbill, the guts of that booklet were created by me, and it has in turn, been honored with a place in The National Museum of African American History and Culture.
I’m still working on coming to terms with what this actually means to me, but I know that it holds very a special and deep meaning. The sense of pride, joy, and unmitigated gratitude is palpable, and something that I will carry with me for the rest of my life. What an accomplishment that I didn’t know was possible. Cheers to more profound realizations in 2020!